![]() Accompanying essays, an interview with the artist, and a scholarly chronology round out the book. Generously illustrated, this publication invites readers to examine the series impact over the course of the artist's career. By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize the body of work amidst the resurgence of experiential practices within the global landscape of contemporary art. Over the years, the works have come to symbolize different modalities within the various contexts they have inhabited, from Kusama's self-obliteration in the Vietnam War era to her more harmonious aspirations in the present. These mirror-lined installations reflect endlessly, distorting rooms to project the illusion of infinite space. Kusama's iconic Infinity Mirror Rooms, which originated with Phalli's Field in 1965, situate viewers in kaleidoscopic spaces filled with multicolored lights or whimsical forms. World-renowned Japanese artist Yayoi Kusama has worked in a variety of media, including painting, sculpture, performance art, and installation. ![]() Kusama returned to Japan in 1973 but has continued to develop her mirrored installations, and over the years, she has attained cult status, not only as an artist, but as a novelist.Ĭompanion publication to the AGO 2018 exhibition. She first used the mirror as a multi-reflective device in Infinity Mirror Room-Phalli’s Field, 1965, transforming the intense repetition that marked some of her earlier works into an immersive experience. Living in New York from 1958 to 1973, Kusama moved in avant-garde circles with such figures as Andy Warhol and Allan Kaprow while honing her signature dot and net motifs, developing soft sculpture, creating installation-based works, and staging Happenings (performance-based events). During this time, she began experimenting with abstraction, but it was not until she arrived in the United States, in 1957, that her career took off. At nineteen, following World War II, she went to Kyoto to study the traditional Japanese style of painting known as Nihonga. In 1993, she became the first woman to have a solo presentation at the Venice Biennale’s Japanese Pavilion, and in 2016, Time magazine named her one of the world’s most influential people.īorn in 1929, Kusama grew up near her family’s plant nursery in Matsumoto, Japan. Guided by her unique vision and unparalleled creativity, critically acclaimed artist Yayoi Kusama has been breaking new ground for more than six decades. Courtesy of the artist © Yayoi Kusama, Photo by Tomoaki Makino Yayoi Kusama with recent works in Tokyo, 2016. ![]() In addition to the paintings, sculptures, drawings and environments, viewers will encounter posters, letters, cards, and invitations that relate to Kusama’s early exhibitions and events-including her first solo show, which took place in Seattle-a slideshow of Kusama’s performances as well as an interview with the artist filmed on the occasion of this exhibition. ![]() Also on view in North America for the first time is the recently realized Infinity Mirror Room, All the Eternal Love I Have for the Pumpkins, 2016, a field of yellow, dotted pumpkins spreading into infinity. Exuberant in colour and paired with sculptures that bear titles such as My Adolescence in Bloom, they mark a striking progression in the use of Kusama’s signature symbol of the polka dot. Her most recent painting series, My Eternal Soul (2009–present), may be the greatest surprise. The exhibition features the North American debut of numerous new works. The 88-year-old artist continues to work at a brisk pace in her Tokyo studio. These key works join more than 90 works on view, including large and vibrant paintings, sculptures, works on paper, as well as rare archival materials. You’ll also see Kusama’s mesmerizing and intimate drawings, her early Infinity Net paintings in which nets organically expand along the surface of a canvas like cell formations, and her surreal sculptural objects. Immerse yourself in six of these kaleidoscopic environments where you will be endlessly reflected within fantastic landscapes. Rich with key works from the contemporary Japanese artist’s significant 65-year career, this major exhibition also shows the evolution of her immersive, multi-reflective installations, in which she invites you to share in her unique vision. Infinity may be a difficult concept to grasp, but it is easy to contemplate when you step inside one of artist Yayoi Kusama’s iconic Infinity Mirror Rooms in the exhibition Yayoi Kusama: Infinity Mirrors. Experience infinity: From her immersive infinity rooms to mesmerizing paintings and playful sculptures, Yayoi Kusama welcomes you to participate in her extraordinary and innovative explorations of time and space.
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